On Thursday, December 2,1999 C-Span Book TV videotaped a presentation by our cartographer, Earl McElfresh to the Huntington (Long Island) Civil War Round Table at The Book Revue, an independent bookstore. The talk was attended by approximately one hundred people. The presentation was a little over an hour with a question and answer period. On the C-span website we were able to make a short four-minute clip about Jed Hotchkiss. Please follow this link if you wish to see it:
ONE IF BY LAND is about the roads we drive on, the places we pass and the maps we have open on the seat beside us.ONE IF BY LAND is about where we are going, how to get there, and understanding, perhaps, where it is we’ve been.
If you are motoring north along Route 281 in north central Kansas, you might want to take a left on Smith County Route 191 and start slowing down.Ease off onto the shoulder of this back road and step out of the car.Congratulations!You are now just a couple of feet away from the exact geographic center of the conterminous United States.You are at the dead center of the 48 states.Private individuals have placed a monument here at latitude 39 degrees 50 minutes north and longitude 98 degrees 35 minutes west to mark the spot.There’s nothing official or especially scientific about this designation.There wasn’t any intensive statistical analysis and no higher math was involved.It just so happens that this is “that point on which the surface of the lower 48 states would balance if it were a plane of uniform thickness.” In other words, if you did a cutout of the 48 states and balanced it on say, the point of a pencil, this “center of gravity” or pencil point would leave a mark on the cutout right here at this very spot.
The significance of this place is purely circumstantial and entirely symbolic.But pause here a minute or two – think of cowboys and Pilgrims, feel the gentle breeze, take in the seemingly endless fields and the surely endless sky – and see if something about this wide great Republic doesn’t mean something special to you here, at its very center.
Notice the distinctive badge-like sign that tells you that you are on Smith County Route 191.It wasn’t always easy to know where on earth you were, never mind in Kansas.In the early days of the automobile, the best directions an intrepid driver could hope for were visual.Roads had no consistent names or numbers.Hardly anyone ever traveled far enough to get lost.Road maps consisted of a sheaf of postcard-like photos in a flip folder.There were photos of crossroads, of intersections and of forks in the road.Black arrows were superimposed on the road to insure that the correct route was followed.Directions and commentary appeared as captions below the photographs.Then the growing popularity of automobiles brought more and more oil companies into the brand new gas station business.
As competition grew keen, the oil companies looked for ways to build customer recognition and loyalty.They began giving out free road maps.(A happy tradition that the mid-1970’s oil embargo ended.) For the purpose of their maps, each oil company came up with their own numbers for roads and proceeded to mark the roads with their own distinctive signage.Some chose badges, others chose shields.Some chose stars.Soon enough, telephone and telegraphs poles were festooned with different route signs, each with unique numbers, each keyed to a different oil company’s map.The system was not perfect but it gave state and local governments the idea to work out a more coherent and comprehensive arrangement.The now familiar system was adopted and coordinated, first on a state by state basis and then nationwide.Some of the routes developed their own mystique and entered the lexicon of American cultural icons as surely as Gettysburg and Coney Island and Dodge City.But that is another column.
Question 12 Did you Ever consider that map-making wasn’t for you? What do you like the most about making maps? The least?
Once I started making maps I never looked back. It’s a very satisfying activity and I like every aspect of it. The research is fun, the drawing is fun, using watercolors is fun, deciding what to include on the reverse side of the map is fun, the process of taking the original manuscript of the map to the printer is fun (great inky smells, huge thundering printing presses) and getting paid for doing something fun is fun.
Question 13 What do you think makes your maps about the Civil War better that others?
Our Civil War maps are essentially unique. No one else has done Civil War battlefield maps that contain so much cultural and physical information and present that information is such a stylized format. The corn fields look like cornfields, the fences look like fences, the orchards look like orchards. Our maps give modern visitors to the battlefield the same view of the terrain as the Civil War armies had. That’s why when West Point does its staff rides at Gettysburg or at Saratoga, they carry our maps with them. They want modern soldiers to see the roads and lanes, the farms and fences, the rivers and bridges, the terrain, that Civil War soldiers confronted and contended with. Because these were the features that settled the outcome of the battles.
Question 14 During the Civil War, what do you this was Lincoln’s most strategic move as president?
Lincoln’s most strategic move as president was to ignore the lurid gossip about U.S. Grant, saying to Grant’s detractors, “I can’t spare this man, he fights.” Lincoln, sight unseen, intuitively trusted Grant (a fellow mid-westerner) and when he appointed Grant overall commander of U.S. forces, the Confederacy was done for because U.S. Grant brought William Tecumseh Sherman to the fore and the Southern Confederacy was done for.
Question 15 What do you think Lincoln would have done the 13th Amendment hadn’t passed? What would have been his next step?
The 13th Amendment passed. There are no “if’s” in history. Every “if” brings more “if’s” and one drifts away into a mist.
Question 16 Lincoln is always refered to as “honest Abe,” yet in the movie Lincoln, you see he could be very dishonest at times.
I don’t see Lincoln being dishonest in the movie “Lincoln.” He was contending with existential challenges and had to manage the give and take of politics in the midst of the iron contingencies of war. And throughout, he had to contend with political opponents who were in fact undermining the war effort in ways that didn’t exist in U.S. politics until the Vietnam War and the Iraq War. But in neither of the latter wars was the nation’s life hanging in the balance. At different times in the Civil War, there were Rebel flags from the White House.
Question 17 What would you say was the most important fact or scene put into the movie Lincoln? Meaning, what would you say is the most influential fact about Lincoln we should take away from the movie?
The best thing about the movie was its realistic portrayal of the character Lincoln. He was a consummate politician, a very real man, the wisest of the wise, and the only person in all the country that could have managed the menagerie that was Civil War era America partly with an iron will and an iron fist and partly with the most thoughtful political words ever spoken.
Question 9: How did the draft work during the Civil War?
The draft was a pretty shabby affair for both sides and it was also manifestly unfair. In the North a drafted man could buy out for $300. That was a lot of money then and only the wealthy could afford that. They would then get a substitute. They were often enough shady characters who would take money, enlist, desert at the first opportunity and enlist again, again for money, using an alias – and on and on. In the South, there were numerous exceptions and the saying was, “It’s a rich man’s war and a poor man’s fight.” In other words, the wealthy men who owned the slaves (and they made up a tiny fraction of the overall population) that the war was really all about were not drafted because they had to stay home and oversee the slaves etc. Initially, in the South, draft age (and there were many occupations, including service in the non-fighting state militias e.g. that were exempt from the draft) was from 18 to 45. By the end of the war, they were taking men from “cradle to grave” 16-65. The draft, for both sides, was pretty much a disaster.
Question 10 Did we have the Medal of Honor during the Civil War?
There was a Medal of Honor during the Civil War. It was awarded much more liberally than the present day Medal of Honor and it was sometimes given to an entire unit for some especially meritorious action. There were several local Medal of Honor winners including a Mr. Oviatt (the street next to Boardmanville school is named for him) and Stephen Welch. Mr. Welch, your OHS teacher, is a direct descendent. Stephen Welch is buried in Allegany cemetery. Mr. Welch can tell you all about him.
Question 11 What was the most important information a battle map could provide for the armies? Elevated ground?
The most important information a map could provide a Civil War commander was enough knowledge of the ground that he knew where he could march and maneuver his army (where he could pass through a mountain range, where he could ford a river, where he could feed his men and water his animals, what multiple roads he could spread his army out on and still maintain contact between the separated units and get them to the right place at the same time.) A commander mostly wanted to know from a map where he could go and what he could do and equally important to him, where his enemy could go and what the enemy’s options were. It was while the armies were angling for a battle that maps were most important. Once contact was made and battle was joined, they could scout around for information and to a limited extent see what was going on.
Question 6: How many people survived the prison camp at Andersonville, Georgia?
There were about 45,000 Union prisoners at Andersonville. Something like 13,000 of them died there, so there was about a 27% casualty rate. The biggest Union POW camp was in Elmira, NY. There was less excuse for the approximate 25% casualty rate for Confederate prisoners there since the Union, in contrast to the South, was thriving throughout the war. But those were very hard times and very hard people.
Question 7: Would you consider Robert E. Lee a traitor?
Robert E. Lee was still in the U.S. Army in early 1861 and he received a promotion. When you receive a new rank, you take a new oath of allegiance. You swear to defend the United States of America against any enemy, foreign or domestic. Within weeks of taking that oath, Robert E. Lee was a domestic enemy of the nation he had just sworn an oath to defend. That pretty much makes him a traitor I’m afraid.
I think the Southern aristocracy—which Lee was part of—had such a high opinion of their personal “honor” that whatever they did had to be honorable because it was their honorable selves doing it. I also think that their absolute power over their black slaves, and the iron handed rule they had over their plantations and their society gave them a bad case of arrested development. Their actions and opinions were so unchallenged that they had been gradually lulled into simple-mindedness.
Question 8: What was your favorite map to make? Why?
I really can’t say which was my favorite map to make. Each mapping project is really exciting, first because it’s a new job and it means money and it means you’re going to be profitably and happily employed for months and that’s nice. And it’s also wonderful to have a new subject to delve into, to dig around for resources and information. So I like that. It’s also a lot of fun to do the drawing and I really enjoy, for example, doing the lettering of the map titles. I usually meet some interesting people and get to travel to interesting places when I do the research…And as I got better at doing the maps, the ones done with more expertise were more enjoyable than ones done early on that I look back on and wish I’d done a better job. Long and short, I guess I’d have to say my favorite map is the one I’m working on or the next one I’m about to do. I guess my Pearl Harbor map is right up there though.
How long does it typically take you to create a map of a famous battle?
It typically takes six to eight months to do the research, draft the map, and then ink in the data and watercolor the whole concern. In the midst of that process, I also work out the information and secure the images for the reverse side of the map. That six or eight months means seven days a week, morning, noon and night. The maps are great fun but they’re also a lot of work.
What interests you most about the Civil War?
The most interesting thing about the Civil War is the participants. The panoply of characters, Abraham Lincoln, U.S. Grant, William Tecumseh Sherman, Stonewall Jackson, JEB Stuart, and more obscure characters like Richard Ewell (he married a widow and always introduced his wife as “Mrs. Brown”), Confederate general Joe Johnston who hated president Jeff Davis so much that you wouldn’t know from his memoir that he was fighting the Yankees, he’s always fighting Davis. Then George B. McClellan, Union general whose reputation collapsed because the stupid, vainglorious letters he wrote to his wife revealed him to be a supercilious jerk. There was General George Custer (of Little Big Horn fame) who was a brilliant cavalry leader who perfumed his flowing locks and designed a uniform that made him look like a circus performer. It was a wild bunch of characters. England had Dickens’ characters. We had these guys. Some of the most noble people in history, and some of the most ignoble, made up the cast of our Civil War.
Also, most wars are futile. For example, the First World War led directly to the Second World War and the Second World War wasn’t even over when the Cold War got underway. In contrast, the Civil War was fought to end slavery and preserve the United States. When the Civil War was over, slavery was dead and the United States lived. Success!
Who do you think was the greatest Confederate General?
I think Stonewall Jackson was the South’s great general but he had the advantage in that regard of dying too early in the war to confront the best Union generals. But I also think there was something vaguely—for want of a better term—autistic, about him. He seems kind of blank in terms of personality and he was a bewildering figure to his fellow generals. And his successes came in the first half of the war when the south fought with the immense advantage of a friendly population and in familiar countryside. His Valley Campaign, upon which his fame primarily rests, would not have been possible once Union forces knew the roads and topography as well as he did. But circumstances are what they are and he was, in my mind, the best in the 1861-1863 timeframe.
What is the oldest battle that you mapped?
The oldest battle I’ve mapped is the Revolutionary battlefield of Saratoga in NYS. It was fought in 1777. The oldest Civil War battlefield I’ve mapped is Manassas or Bull Run, VA. Two battles were fought there, 1861 and 1862.
Time did not allow me to answer all of the questions of the American History Class at Olean High School, but I did respond to them by e-mail. The first and second question were:
What information do you use to draw the maps? Do you use photos along with studying the landscape? What else do you use? How do you decide if the information is reliable or legitmate?
I had to give a rather long answer to the question:
I use contemporaneous photographs, taken within days of some of the major battles (Antietam, Gettysburg e.g.). I got a Cornell agronomist (a crop expert) to study the panoramic photos of these fields to determine the crops in the fields. It was easy to figure out what type of fencing there was, where the orchards were, the extent of the woodlands etc. Essential to the use of these photographs was the 1970’s work of William Frassanito, who painstakingly determined the point-of-view and location of each extant wartime photograph of Gettysburg and Antietam.
Then I used regimental histories – each regiment would occupy a small sector of the battlefield and their accounts and maps would show their particular sector in great detail. The soldiers’ diaries and letters (this was probably the most literate war in history) also contain many references to their immediate surroundings. Many of them were themselves farmers and they would frequently comment on the crops and fields, fences, barns and orchards. The most poignant research items were “burial” maps. Dead men were often buried right where they had fallen by their fellow soldiers, who were usually their townsmen, friends, even relatives. They would then send the family a very detailed map so they could journey to the battlefield, locate the body and bring it home for burial.
On the major battlefields such as Gettysburg, Antietam, Stones River in Tennessee, the National Park Service has tons of data that they gladly make available to a researcher.
As I mentioned in the class, aerial photographs are very revealing if you know what you’re looking for. If I have a reasonably good Civil War era map and it shows a road or a lane that’s vanished, or a barn or a house, if you look very carefully, you can find a footprint or a trace of it. Also, the skeleton features in the landscape – the rivers, streams, hills, principal roads etc. – are obviously extant features on todays extremely accurate USGS maps. So those features are immediately drawn on my map so I immediately have a framework to go by. And the maps drawn and used by the actual Civil War armies, while not terribly accurate in terms of exact distances etc., are full of the sort of information the armies needed. They needed the name of residents along the roads because there were no route markers and there were not normally formal names for a given road or lane so the surest way to get reliable directions was to get pointed toward the Smith’s house or the Jones farm. Documenting the residents also gave the armies a idea of the local population. The more residents there were, the more resources there were for the armies to live off. (Union General Sherman set off across Georgia on November 16,1864 saying, “Where a million Georgians can live, my army will not starve.) The armies also had to know where they could find corn fields, wheat fields, orchards, hay fields, wells, springs etc. because an army on the march needed to feed 30, 40, 50 thousand men and thousands of horses and mules. A typical mule would drink 10 gallons of water a day. Multiply that by 10,000! A Civil War army (and it didn’t matter whether they were friends or enemies, Union or Confederate) would devastate any countryside they marched through. They would take all the food for themselves and all the forage for their animals, drink the wells dry, destroy the fields they camped on, empty the barns, clear out the larders, tear down all the fences (to make their camp fires to brew their coffee) and raise havoc generally. But the armies need to live off the land is great for mapmakers because their military “route” maps detailed this sort of food and forage information so the armies knew where they could march and fend for themselves.
A great aid in mapping Gettysburg was the work of John Bachelder, who arrived in Gettysburg immediately after the battle. Bachelder marched up and down the field, mapping it, and he had as a resource the thousands of wounded soldiers, Union and Confederate, remaining behind, who he interviewed. His map, a birds-eye view of the field, was very reliable and valuable.
There were also quite accurate published county maps available of some areas, including Gettysburg, published prior to the Civil War that I could make use of. (They were also made use of by the armies and the generals.) Also, soon after the war, the U.S. War Department prepared surveys of many of the major battlefields. These maps were much more detailed and accurate than the maps made under wartime conditions. (The U.S. hired former Confederate mapmakers to work on these surveys. One Rebel named Blackford, who’d sworn he would die rather than live again under the stars and stripes, found himself, within a month of Appomattox, working for the U.S. Army mapping the battlefields.)
Finally, most every Civil War battlefield has people who have devoted their lives to studying “their” battle. They know every nook and cranny of the field and like nothing more than to guide someone around the field, point out sites, recommend books and resources, provide access private lands and to other knowledgeable locals, and in some cases they fix parking tickets.
There are other resources but the above provides a pretty good idea of what’s out there. I decide on the reliability of the information based on the resource I used. Photographs, for example, are irrefutable – at least back then they were, before photoshop – and other data would often be corroborated by some other data. And then you have to wonder why anybody would mislead about the existence of a stone wall or the presence in their front of a rye as opposed to a wheat field.
I prepared a reading list of Civil War volumes to hand out to an Olean High School junior year American history class as part of a Civil War presentation on Jan. 15, 2013. The list is short and sweet and my basic premise was that, for the most part, none of the students had read much, if anything, about the Civil War. My intention was to suggest some books that would be scholarly but entertaining and informative at the same time. Also the list had to fit on one page. This is the list I came up with. My feeling is that if any of the students read even one of these volumes they will probably be drawn to read others as well.
Bruce Catton’s trilogy on the Civil War, which includes The Coming Fury, Terrible Swift Sword, and Never Call Retreat, is a very dramatic and beautifully written set. It’s accurate history but it reads with the verve of a novel. A pretty long novel though.
Bruce Catton also wrote a terrific little book entitled U. S. Grant and the American Military Tradition. It’s one of my absolute favorite Civil War books. And it’s short!
There are two excellent one volume biographies of Abraham Lincoln. Stephen B. Oates’s With Malice Toward None and/or Benjamin P. Thomas’s Abraham Lincoln. Another really neat little book is this same Benjamin P. Thomas’s Lincoln’s New Salem.
The best single volume account of the overall Civil War—it’s pretty long and quite detailed but extremely worthwhile—is James M. McPherson’s Battle Cry of Freedom.
There are all sorts of truly fascinating first person accounts of being a soldier in the Civil War. These books are America’s Victorian literature. We don’t have a Dickens, a Trollope, a Thackery, an Eliott…but we do have these. And they’re not only thrilling and entertaining but they’re also true. There are dozens of these but two of the best are: War Years with JEB Stuart by W.W. Blackford and I Rode With Stonewall by Henry Kyd Douglas.
The Blue and the Gray, edited by Henry Steele Commager, is a chronologically arranged collection of excerpts from contemporary accounts of the Civil War. The entries are usually short. They’re like intellectual snacks. But the selections were chosen because they gave the illuminating sense of “being there.”
If you’re feeling really ambitious, there’s a fabulous set of volumes by Carl Sandburg (he’s the poet)—2 volumes entitled The Prairie Years, and 4 volumes entitled The War Years. Together they constitute a superlative biography of Lincoln and the American cultural and political environment in which he lived and governed. Make yourself a promise to read these volumes some time in your life.
Finally there is an ongoing series The Civil War: Told by Those Who Lived It, which will consist of four volumes published by Library of America. McElfresh Map Company prepared the endpaper maps for each volume.
I went to see the new Spielberg movie Lincoln. I’ve been an avid reader of Lincoln biographies–from where I sit right now I can see more than fifty volumes on Lincoln and I can honestly say that if I haven’t read all of them, there are some that I’ve read multiple times and will read again, including Sandburg’s six volumes–perhaps the most wonderful biography ever written–and Benj. Thomas’s Lincoln’s New Salem which is the most charming Lincoln book of them all. I also have half again as many Lincoln volumes at home. Suffice it to say, I like Lincoln. And I’ve written about him for publication in Civil War Times. Mine is no casual affair. Lincoln and I are for keeps.
Well…Wonder of wonders. I loved–I revered–the Lincoln movie. It was the first movie my wife and I have gone to since Primary Colors. We were startled at the cost of theater tickets ($19 !) but we were thrilled by the movie. My mental picture of Lincoln, framed for ever and ever by the staged photographs of him, has been supplemented by Daniel Day Lewis’s movie portrayal of the 16th president.
I have two quibbles with the movie. The opening scene was a little much. Lincoln, for some reason unattended to and sitting in the rain, seemed a bit unrealistic and daft (the President was a gigantic celebrity in 1864 too, and his being somehow overlooked was as unlikely then as it is now). Then the post battle-scene at the end of the movie…this is presumably in the trenches around Petersburg after the Confederate line is cracked. The movie depicts corpses stacked like the concentration camp images at the end of WWII. There are actual contemporaneous photos of the most gruesome slaughters of the war, scenes from Antietam’s sunken road, indeed photos from the Petersburg field in the battle aftermath. There is nothing like what the movie shows. Maybe modern audiences have to see a carpet of bodies before they’re impressed.
But apart from those two improbable scenes, the film makers did an impeccable job. Lincoln’s office, as filmed, was exact in every detail. The more prominent members of his cabinet (Gideon Wells, Edwin Stanton e.g.) bore a striking similarity to the real men. Secretary of State William Seward was portrayed as a more presentable figure: they skipped the magpie-like features of the actual Seward but that’s understandable. Modern audiences would probably find his looks laughable.
To sum up, considering how awful the movie could have been–and considering how tempting it must have been to go the saccharine route–makes how realistic the movie was all the more commendable. It’salso a treat to see Republicans portrayed as the good guys. People forget the Democrats obstructing role as the nation was locked in a death struggle. And they also forget that the modern Civil Rights legislation was vehemently opposed by the solid South–the South was solidly Democrat in 1964 as well as in 1864–and it was the Republican party that enabled Lyndon Johnson to push his Civil Rights agenda through. Look it up!
McElfresh Map Company will be watching a new movie coming to town with more than a little interest.
We received a phone call at our office on the afternoon of August 26, 2011 from Terry Alford, a professor at Northern Virginia Community College. He wondered if we’d be willing to share some information about Civil War map making with some folks making a Lincoln related Civil War movie. I said certainly.
Very shortly thereafter I got a telephone call from a woman named Leslie McDonald. She was with a company called “Office Seekers.” She was interested in having someone with a Civil War map background to answer some questions. She was with a movie company. I said I’d be quite prepared for that eventuality.
We talked back and forth a bit, I answered some general questions. She said she would like to e-mail a detailed set of questions if that was all right. I said that would be fine. She also asked if I’d be willing to suggest additional questions that “they hadn’t asked but should.” That impressed me. She wanted to get things right. “So,” I said, “This is a real movie, a TV movie, or what?”
She told me it’s a movie based on Doris Kearns Goodwin’s book Team of Rivals. The director of the movie was Steven Spielberg. I said, “Ah, this is a real movie.” She laughed. “Oh yes.”
She had some general questions regarding reference material, Civil War map resources, sample Civil War era maps and the preparation and use of maps before, during and after a battle.
That evening (6.06 PM) a list of 12 questions was e-mailed to me. The questions were mostly map specific:
How would they update troop movements and how would they do this for the President?
How did they track movements on maps?
What type of writing instruments did they use to update maps, i.e. pen, pencils, colored pencils?
How would maps in the White House differ from the field maps?
Some of the initial questions also regarded the treatment and handling of battle casualties and soldiers killed in battle:
Did they write down who died right away or after the war was over?
As per Leslie McDonald’s request, the next day I e-mailed her a brief overall perspective of the who, what, when, where, why and howof Civil War mapping. How important maps were, especially to Union forces operating on unfamiliar ground in unfriendly territory. I told her where to find examples of Civil War maps and descriptions of how they were prepared and used and to what effect.
I also emphasized what an immense affair the Civil War really was and how magnificently a ramshackle government inWashingtonmanaged the whole affair. The various departments were casually organized, the army and navy operated in a very off-the-cuff manner compared to the hidebound rigidity of the modern military. The President throughout the war never travelled more than 100 miles from Washington, wrote his own speeches, and ran the nation and the war with the assistance of two secretaries.
To provide perspective, I noted that the death rate of soldiers in the Civil War, if adjusted to the present population of theU.S.would be 3,000 soldiers killed and dying every day for four years.
I also described the topographical challenges faced by road bound, foot and horse-powered armies. How a slight grade or a three foot deep creek could stop 50,000 men dead in their tracks. How the marching armies lived off the land and had to keep moving or starve.
I also assessed the capabilities of the Union and Confederate armies and pointed out that Union forces faced a far greater challenge than the Confederates because they had to march, fight, capture, hold, occupy, supply, and continually advance through the southland. The Confederates didn’t have to fight pitched battles around Detroit, or Chicago or New York. The Union had to capture and hold New Orleans, Memphis, Nashville, Savannah, Vicksburg et al.
Over the next days and weeks I answered questions:
How would maps be carried in the field?
Answer: Sherman, e.g. carried them in his saddlebags. Others in map canisters. Cavalrymen stuck the maps in their pockets.
What sort of maps did the President have in the White House?
Answer: Most likely Lincoln’s office contained U.S. Coast Survey maps (this organization is the predecessor of the modern National Oceanographic and Atmospheric Administration (NOAA) and standard commercially printed maps (Colton’s e.g.) The maps specifically, historically, known to have hung in Lincoln’s office were a U.S. Coast Survey map of KY and TN and a “statistical” slave map, showing by lighter and darker shading the slave population of the different regions of the country.
What sort of maps were in the War Department’s telegraph office?
Answer: What’s described as “a common U.S. map” on the wall (meaning a commercially printed U.S. map) and then there were map files, filing cabinet-like wide drawers in which maps could be laid flat and stored.
I also described the various instruments the mapmakers would be using: the Schmalcalder compasses, plane tables, field glasses, the watercolor paints that would come in blocks rather than tubes. I further informed the moviemakers that there was no way for Lincoln or Secy of War Stanton to interfere in the actual progress of a battle. I told them Lincoln or Stanton might urge the generals to “put all of your men in” but they’d have no way of knowing what was happening on the actual battlefield.
My last e-mails in early October with the “Office Seekers” crew was to supply names and contact information for locating the appropriate topographical instruments to “decorate” the movie set.
Note the a map displayed in Lincoln’s office in the trailer below.